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On 03/03/2011 03:32 PM, Christopher Stamper wrote:
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cite="mid:AANLkTi=js=aYcS2mu47sO966an+ocdX9rVaggXZ6jJ5U@mail.gmail.com"
type="cite">On Thu, Mar 3, 2011 at 5:48 PM, Kim Cascone <span
dir="ltr"><<a moz-do-not-send="true"
href="mailto:kim@anechoicmedia.com">kim@anechoicmedia.com</a>></span>
wrote:<br>
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thanks for the permission<br>
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<div>somebody offended? ;-)</div>
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no just not in a patient mood today<br>
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cite="mid:AANLkTi=js=aYcS2mu47sO966an+ocdX9rVaggXZ6jJ5U@mail.gmail.com"
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I tend to agree OP, but hey - whatever works for you.
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<div>Regardless of your creative process, the industry seems to
agree that a 3-band parametric EQ with a graphical interface is
pretty standard. And we don't really have one.</div>
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true<br>
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<div>Sure, one could search the internet and message boards until
he finds a few. But IMO we need a *great* plugin that could be
readily available (at no cost, I dont really care about freedom
- though it may make it easier to distribute) to anyone who
would use Ardour/etc.</div>
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<div>FWIW, I know a lot of people that won't use non-graphical
parametric EQs. It's not that they are stupid, they just can't
visualize it without the little graph.</div>
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parametrics are good for live sound and tracking instrument and
vocal recording solutions <br>
whereas graphic EQ's, especially the GRM plug, is made by people who
understand the needs of acousmatic composers and sound designers --
hence the brand INA-GRM<br>
<br>
and since I'm a composer and not a live sound engineer I need the
latter and not the former<br>
over and out,<br>
kc<br>
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